Os festivais musicais como experiência turística. Uma análise teórica

Marta Estrada, Jessica Sotos, Diego Monferrer

Abstract


Durante anos o setor espanhol turístico foi baseado de um modo quase exclusivo na promoção do sol e encalhou goste de pio para atrair visitas estrangeiras a nosso país. O esgotamento do padrão provocou a procura de alternativas novas que você / eles regenera e impele um dos motores principais de nossa economia. Neste contexto, é observada a irrupção de um consumidor novo que aspectos para outras alternativas turísticas, outra forma de viver suas férias, desfrutando experiências diferentes, vinícolas, cultural ou musical, entre outro. Este trabalho supõe uma primeira aproximação no estudo da experiência procurado pelo turista de festivais musicais, enquanto avaliando as dimensões consideradas em sua experiência e suas conseqüências no fluxo (satisfação) e ré posterior

 

 


Keywords


Festivais musicais Turismo, Experiência

References


Bellos, I. & Kavadias, S. (2011). The design challenges of experiential services. Atlanta: College of Management, Georgia Institute of Technology.

Binkhorst, E. (2008). Turismo de co-creación: valor añadido en escenarios turísticos. Journal of Tourism Research, 1 (1), 40-51.

Carlson, R. (1997). Experienced Cognition. NewYork: Lawrence Erlbaum Associations.

Chierichetti, L. (2012). La promoción del turismo musical: Los festivales de música en Facebook. Pasos, Revista de Turismo y Patrimonio Cultural, 10 (4), 49-58.

Cole, S.T. & Illum, S.F. (2006). Examining the mediating role of festival visitors’ satisfaction in the relationship between service quality and behavioral intentions. Journal of Vacation Marketing, 12 (2), 160-173.

Csikszentmihalyi, M. (1990). The flow – The Psychology of Optimal Experience. New York: Harper and Row.

Csikszentmihalyi, M. & Hunter, J. (2003). Happiness in everyday life: The uses of experience sampling. Journal of Happiness Studies, 4, 185-199.

Devesa, M.; Báez, A.; Figueroa, V. & Herrero, L.C. (2012). Repercusiones económicas y sociales de los festivales culturales: el caso del Festival Internacional de Cine de Valdivia. Artículos EURE, 38 (115), 95-115.

Filep, S. (2008). Applying the dimensions of flow to explore visitor engagement and satisfaction. Visitor Studies, 11 (1), 90-108.

Gonzalo, P. (2005). El turismo cultural de Festivales y Eventos como herramienta para la segmentación de la demanda turística. Investigación y Marketing, 87, 25-30.

Graglia J.E. & Heinig P.G. (2002). La industria del tiempo libre. Una nueva visión para las oportunidades en turismo, cultura, deporte y recreación. Córdoba, Argentina: ICDA Instituto de Ciencias de la Administración.

Grunwell, S. & Inhyuck, S.H. (2008). Film festivals: An empirical study of factors for success. Event Management, 11 (4), 201-210.

Holbrook, M.B. & Hirschman, E.C. (1982). The experiential aspects of consumption: Consumer fantasy, feelings and fun. Journal of Consumer Research, 9 (2), 132-140.

Hosany, S. & Witman, M. (2010). Dimensions of cruisers' experiences, satisfaction, and intention to recommend. Journal of Travel Research, 49, 351-364.

Instituto de Turismo de España (2015). Boletín trimestral de coyuntura turística, 21(I), 26.

Jackson, S.A. & Eklund, R.C. (2004). The Flow Scale Manual. Morgantown: WV Technology.

Kim, K.; Uysal, M. & Chen, J. (2002). Festival visitor motivation from the organizers’ point of view. Event Management, 7 (2), 127-134.

Kruger, M.; Saayman, M. & Ellis S.M. (2011). Does loyalty pay?. First-time versus repeat visitors at a national arts festival. Southern African Business Review, 14 (1).

Mehmetoglu, M. & Engen, M. (2012). Pine and Gilmore’s concept of experience economy and its dimensions: An empirical examination in tourism. Journal of Quality Assurance in Hospitality & Tourism, 124, 237-255.

Moral, M. & Fernández, M. (2012). Nuevas tendencias del marketing: el marketing experiencial. Entelequia, Revista Interdisciplinar, 14, 237-251.

Oliver, R. L. (1981). Measurement and evaluation of satisfaction process in retail setting. Journal of Retailing, 57 (3), 25–48.

Pine, B.J. & Gilmore, J. H. (1998). Welcome to the experience economy. Harvard Business Review, 76 (4), 96-105.

Pine, B.J. & Gilmore, J.H. (1999). The Experience Economy: Work is theatre and every business a stage. Boston: Editorial Harvard Business School Press,

Prat, J.M. (2014). Las relaciones sociales y las motivaciones para asistir al festival de música de peralada. Boletín de la Asociación de Geógrafos Españoles, 66, 207-221.

Seonjeong, A.M.; Liang L.R. & Chiang T.L. (2014). The experience economy approach to festival marketing: Vivid memory and attendee loyalty. Journal of Services Marketing, 28 (1), 22-35.

Srinivasan, S.R. & Srivastava, R.K. (2010). Creating the futuristic retail experience through experiential marketing: Is it possible? An exploratory study. Journal of Retail and Leisure Property, 9 (3), 193-199.

Schmitt, B.H. (1999). Experiential marketing. New York: Free Press.

Schmitt, B.H. (2003). “Customer experience management (CEM): a revolutionary approach to connecting with your customer”. John Wiley and Sonc, Inc, Hoboken. New Jersey.

Tung, V.S. & Ritchie, J.B. (2011). Investigating the memorable experiences of the senior travel market: An examination of the reminiscence bump. Journal of Travel & Tourism Marketing, 28 (3), 331-343.

Van Zyl, C. & Botha, C. (2003). Motivational factors of local residents to attend the Aardklop National Arts Festival. Event Management, 8 (4), 213-222.

Walls, A.R; Okumus, F.; Wang, Y.R. & Wuk. D.J. (2011). An epistemological view of consumer experiences. International Journal of Hospitality Management, 30, 10-21.

Wellman, B. (2001). Physical place and cyber-place: The rise of networked individualism. International Journal for Urban and Regional Research, 25, 227-252.

Yoon Y.S.; Lee J.S. & Lee C.K. (2010). Measuring festival quality and value affecting visitors’ satisfaction and loyalty using a structural approach. International Journal of Hospitality Management, 29, 335-342.


Refbacks

  • There are currently no refbacks.


Copyright (c)



International Journal of Marketing, Communication and New Media

ISSN: 2182-9306

DOI: 10.54663/2182-9306

Qualis Periódicos - CAPES: B2

REBIB: Q2


Indexing:

Web of Science - Emerging Sources Citation Index - Clarivate Analytics

Journal Citation Reports (JCR) 2021, 2022, 2023

Crossref

QUALIS CAPESGOOGLE SCHOLAR - LATINDEX - REDIB - RCAAP - OAJI - DRJI - MIAR - LIVRE - ERIH PLUS - INDEX COPERNICUS -